Đọc thêm Giễu_nhại

  • Bakhtin, Mikhail; Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist (1981). The Dialogic Imagination: Four Essays. Austin and London: University of Texas Press. ISBN 0-292-71527-7. 
  • Gates, Henry Louis, Jr. (1988). The Signifying Monkey: A Theory of Afro-American Literary Criticism. Oxford University Press. ISBN 0-19-503463-5. 
  • Petrosky, Anthony; ed. David Bartholomae and Anthony Petroksky (1999). Ways of Reading (ấn bản 5). New York: Bedford/St. Martin’s. ISBN 978-0-312-45413-5. An anthology including Arts of the Contact Zone 
  • Rose, Margaret (1993). Parody: Ancient, Modern and Post-Modern. Cambridge: Cambridge University Press. ISBN 0-521-41860-7. 
  • Caponi, Gena Dagel (1999). Signifyin(g), Sanctifyin', & Slam Dunking: A Reader in African American Expressive Culture. University of Massachusetts Press. ISBN 1-55849-183-X. 
  • Harries, Dan (2000). Film Parody. London: BFI. ISBN 0-85170-802-1. 
  • Pueo, Juan Carlos (2002). Los reflejos en juego (Una teoría de la parodia). Valencia (Spain): Tirant lo Blanch. ISBN 84-8442-559-2. 
  • Gray, Jonathan (2006). Watching with The Simpsons: Television, Parody, and Intertextuality. New York: Routledge. ISBN 0-415-36202-4. 
  • John Gross biên tập (2010). The Oxford Book of Parodies. Oxford: Oxford University Press. ISBN 978-0-19-954882-8.